 |
| David Bowie on the night in question |
For the recently published Box Set of Akkerman albums Jan has commented on each of the albums for a booklet that accompanies the 26 discs. On Tabernakel he has written
This album proved a great opportunity. Producer Geoffrey Haslam introduced me to arranger George Flynn insisting "Jan, he's your man". Thanks to Atlantic boss Ahmet Ertugun, engineer Gene Les Paul (son of) and the New York Philharmonic came on board. We made the album in a week.(1) From my perspective, new instruments such as Moog synthesizers (2) in the seventies marked a musical renaissance. I wanted to connect the modern with traditional lute music and that was the general philosophy behind Tabernakel. Once I'd discovered old Mediaeval lute material and Julian Bream's work (3), I immediately went to Cambridge University to make photocopies of the tablatures (4). I only found out later that I could have bought them at Schott's music on Great Marlborough Street in London! (5) At the time I couldn't incorporate any lute playing in Focus so I recorded it for my third solo record instead. To record the lute, Gene plastered the instrument with so many Barcus Berry pick-ups (6) (purchased at Mannys in NYC (7)) that consequently it looked like a hospital patient! I knew Tim Bogert and Carmine Appice from Vanilla Fudge (8) and they were great guys to record with and understood exactly how I wanted to do things.
House of the King was done on the Coral electric sitar, (9) an instrument I discovered in the States in early 1973, and I use a genuine sitar on the record
Javeh, (10) the Jewish name for the Lord, came to me while staring upon the wide landscape of Friesland where I was living at the time. The piece starts a little restlessly but turns into an impressionistic and calm piece. In February 1974, I wanted to perform Javeh at the prestigious Grand Gala du Disque (the Dutch equivalent of the grammys) (11) and invited George Flynn to assist the orchestra with the arrangements. The performance, which was performed live on television, didn't go to plan and I decided to play solo. After the first few bars, I felt uncomfortable and decided to walk away. This happened in front of David Bowie and other celebrities (12), but I've never regretted it for a moment.
(1) Sounds like a slight exaggeration but maybe not
(6) In 1963, experiments initiated by violinist John Berry and electronics visionary Les Barcus, gave birth to the first ever piezo crystal transducer for musical instruments. Many further innovations have been made since.
For more, see here.
